Q: Where did you grow up? What was your favorite thing about growing up there?
Burak: I grew up Izmir Turkey, a little port town on the west coast of Turkey. My favorite thing was playing hide and seek in the neighborhood... we could still play on the street during summer afternoons and our parents didn’t have to worry. Izmir wraps around the bay so getting around the city you take a ferry to get to downtown, that was also one of my favorite things to do in the city.
Q: Who
was your most influential teacher/mentor? Why?
Burak: I am an architect and an
architectural historian so I have two. First architect Christ Rischer Junior, who was the main important
professor at Mississippi State where I got my undergraduate degree. Second is Dell Upton (@ UVA) for history. Both of them were
independent thinkers and they read a lot. That is something that is
important for us as architects, don’t let go of the reading! We have to do a
lot but reading allows us to engage and not get stuck at our desks, and that
independent thinking gave them a vision to way to look at things in a new and
penetrating way. Dell knew what I was doing with my dissertation long before I
did!
Q: If you
could take your history students to see one work of historical
architecture, what would it be?
What about one work of modern architecture?
Burak: Historical architecture would be the grand bazaar, or grand
market in Istanbul, it’s the quintessential non object space, you know when
you are entering it, its like the skin of the city.
Modern building would be the Whitney Museum of American Art In New
York because of its connection to the city. It creates this unique space
between the building and city at the sidewalk; you enter the building through a
bridge, and there is a café sunken in the space between the sidewalk and
building and creates this wonderful urban zone. It has a great relationship; it
acknowledges that there needs to be something between the building and the
city.
(Whitney Museum)
Q: If you
could sit in on a class this semester,
which would it be?
Burak: I still need to get to know more about the classes, but at
the new faculty meeting I met Maria Pramaggiore and she teaches film classes in
the English department, and I would love to take some of her classes.
Q. How do
you take your coffee?
Burak: On an every day basis I will end up drinking anything that
resembles coffee, but it you are asking what the ideal cup of coffee is it
would have to be Turkish coffee Az Sekerli (which means little sugar) and a cup of water.
Q: Did
you take advantage of office hours when you were an undergrad?
Burak: I didn’t know they existed! I think it’s a missed opportunity. I have office hours now because I think its
important to make time so that students know when you are available.
Q: What
are you most looking forward to doing once you finish and defend your
dissertation?
Burak: SO many things! One thing is that I won’t have to say "I’m
going to finish it on such-and-such a date" - I’ll be done. I also used to go on long
runs on weekends so I look forward to using those runs to get to know Raleigh - it’s a
great way to see new things in a town.
Q: As you
see it, what is history’s role in the practice of architecture today?
Burak: I think, this is what I try and do in my class, we have to
talk about architecture and provide the methodologies for students to be able
to think of architecture as a social and economic product, so that when we make
buildings or an intervention on a site we can engage those parts of the site, and think about how we engage the larger part of the world. This allows us to engage
our profession as a citizen, how things actually exist in the built environment; laws
and zoning, for when we design specific types of buildings, methods that allow
us to engage and analyze architecture as a social product.
Q: What’s
your favorite non-architecture book?
Burak: It's been a while since I have had time to develop those
favorites! I love reading the New Yorker, any type of serious newspaper, but in
terms of short fiction, Paul Bowles was a favorite. He was a self inflicted
exile, lived in Morocco, a new Yorker in Morocco. Musician/composer turned
writer. He has great short stories that I really like, The Sheltering Sky comes to mind.
Thank you so much, Professor Erdim!
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