First up is Julie Barghout, AGSA president and the last to leave any AGSA event (or studio). Thanks Julie for letting us ask you these truly riveting questions!
Q. What studio project are you most proud of?
Julie: I'd have to say it's a toss up between the two projects I did last semester, the Dyptic House and the Sub-Terra House. Both were small houses, and I'm really proud of the level of detail we were able to accomplish with the designs. I felt like we were really able to convey both the conceptual idea we were trying to emphasize alongside the construction details.
(Sub-Terra House, and Dyptic House for ARC 500, The Problem with the House, taught by David Hill)
Q. What elective outside of studio have you enjoyed the most?
Contemporary Architectural History, taught last spring by Roger
Clark. It was a good way to connect
my background knowledge from before school with lessons from various studios and finally understanding the theories behind each era. I feel like after that class I have a solid understanding of the context and time for a lot of architecture and am actually able to identify and recognize it immediately. The class gave me the sense of 'I’m growing, I’m learning, I have a set
of resources to back up my designs'. And
Roger Clark is just an excellent professor!
Q. How many all-nighters do you average per semester?
Five. Well, wait, what
do you consider an all-nighter? Not sleeping at all, or staying up until 7am and then getting 4 hours of
sleep before studio? Because you know 4 hours of
sleep is close to 5, and 5 is close to a good amount.
Q. Askew vs. Jerry’s?
Askew.
Q. Favorite method of procrastination?
Q. Favorite method of procrastination?
Hulu+.
Q. Auto cad, revit, or illustrator?
Auto-cad and illustrator. I start in auto cad and then bust some really good line
weights in illustrator.
Q. Favorite non-architectural book?
Anything by John Grisham.
Q. Favorite architectural book?
Tom Kundig, Houses I and II.
Q. If you could work for any architect living or dead who would
it be?
Mies Van der Rohe.
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